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"Thomas has plainly taken to hieroglyphics,—if it be Thomas," he says. "I can fancy his pressing his young woman's right hand, but her 'top corner' baffles me. If I were Thomas, I shouldn't hanker after a girl with a 'top corner;' but there is no accounting for tastes. It really is curious, though, isn't it?" As he speaks he looks at Mona; but Mona, though seemingly returning his gaze, is for the first time in her life absolutely unmindful of his presence. "Very well: show him in here," says Mona, very distinctly, going on with the printing of her butter with a courage that deserves credit. There is acrimony in her tone, but laughter in her eyes. While acknowledging a faint soreness at her heart she is still amused at his prompt, and therefore flattering, subjection. The moments come and go. The fire is dying out. No sound but that of the falling cinders comes to disturb the stillness that reigns within the library. Mona is vaguely, wondering what the end of it all will be. And then at last the silence is broken. A noise upon the gravel outside, a quick rush up the balcony steps; some one emerges from the gloom of the night, and comes into the room through the open window. Mona utters a passionate cry of relief and joy. It is Geoffrey!.

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"Bribed him?" says Mona, in an indescribable tone. The man did not answer. Then the Raven rubbed some medicine on his eyes and said, "Look!" The man looked and saw the camp. It was near. He saw the people; he saw the smoke rising from the lodges; he saw the painting on some of the lodges. "Yet, in spite of what you say, you turn from me, you despise me," exclaims he, with some growing excitement. "You do not understand them," returns she, sadly. "And I do. Besides, they will not harm me. There is no fear of that. I am not at all afraid of them. And—I must speak to them.".