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Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers., The heat and smoke increased alarmingly as they went on, the man puffing at the boy’s pace. In and out, occasionally doubling and returning but never losing altitude, Billy crashed on. His slender body slipped through underbrush by way of small apertures that would not admit the man’s greater bulk; he had to break his way. The boy, also accustomed to running, climbing, had the advantage of better breath; though the other could not, Billy still held his mouth shut against the suffocating smoke, kept his smarting eyes partly closed., Next followed a buckboard gaily painted red. Mrs. Mifsud and her daughter Maria aged fourteen who had taken a “quarter” of music lessons and was now the organist of the church, were occupants. Between them was wedged the pet of the family St. Elmo Mifsud a child of four. St. Elmo wore long chestnut curls and an angelic expression. Clarence Egerton Crump, Mrs. Mifsud’s nephew who was visiting his aunt and cousins, accompanied the family on his wheel..