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“I don’t give two whoops ef he does,” Betty was bubbling with suppressed mirth. “Ebenezer Wopp, I’ve tarlked to you till I’m black in the face, but it’s jist wastin’ valyble breath. Yer brains is allers wool-gatherin’. The hammer’s in yer hip-pocket.” “O Billy,” his mother laughed, “you need not decide to-night. Besides, it was all Bess’s nonsense. I can’t quite imagine my heedless boy in a pulpit.”.

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Billy suspected his mother was waiting for him; he must hurry, he thought. Yet he couldn’t resist showing off a bit. He bent over his wheel, went by the girls with a rush and a “Hello!” made a neat turn, wheeled a figure “8” around a team or two, shouted, “Don’t frame up anything there!” as he passed a second time, and whizzed through the arch in his own high hedge with one wheel in the air. As the story became more intelligible to childish apprehension, several bright pairs of eyes rested on the teacher. “Then,” continued Mrs. Wopp, “the sailors carst lots to see who should be throwed orf the ship, an’ the lot fell on Joner.” “Put a crown of pickled olerves on me,” demanded Moses, “me ’n Jethro beat.” He stood before his sister mopping his face. The express waggon with a wheel off was overturned and a frightened. “Cheep, cheep, cheep” came from beneath it. Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them..