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“Now Moses,” announced his mother, “Jist for a change an’ rest like, turn this here separator.” “Betty, play us a toon,” requested Mr. Wopp who was very fond of music. Mrs. Williams was a round-faced dimpled persuasive lady; and Mrs. Wropp, being non-coax-proof and flattered by the request, consented..

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“But s’pose you change yer name, Miss Gordon,” whispered Betty slyly. “Then nobody’d know ’twas you.” The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores. “What does that mean?” queried Moses. This interlude gave Mrs. Wopp an opportunity to recover her equilibrium which had been disturbed by her vivid conception and realistic description of the storm, all of which had necessitated startling gestures and a swaying, rocking movement of the body, illustrative of a ship in distress..