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"Open at this hour of the morning?" "I—will—not," says Mona, brokenly. The short daylight fades; the wind grows higher; the whole scene is curious, and very nearly fantastical. The pretty girl in her clinging satin gown, and her gleaming neck and arms, bare and soft and white, and the tiny lace-fringed cap that crowns her fairness. The gaunt trees branching overhead that are showering down upon her all their fading wealth of orange and crimson and russet-colored leaves, that serve to throw out the glories of her dress. The brown-green sward is beneath her, the river runs with noiseless mirth beside her, rushing with faint music over sand and pebble to the ocean far below. Standing before her is her lover, gazing at her with adoring eyes..

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When she is gone, Geoffrey walks impatiently up and down the small hall, conflicting emotions robbing him of the serenity that usually attends his footsteps. He is happy, yet full of a secret gnawing uneasiness that weighs upon him daily, hourly. Near Mona—when in her presence—a gladness that amounts almost to perfect happiness is his; apart from her is unrest. Love, although he is but just awakening to the fact, has laid his chubby hands upon him, and now holds him in thrall; so that no longer for him is that most desirable thing content,—which means indifference. Rather is he melancholy now and then, and inclined to look on life apart from Mona as a doubtful good. Then Geoffrey offers Mona his hand, and leads her to the centre of the polished floor. There they salute each other in a rather Grandisonian fashion, and then separate. "I call this beastly mean," says Mr. Darling to Geoffrey in an indignant aside. "You all gave your oaths to secrecy before I began, and now you are determined to betray me, I call it right-down shabby. And I sha'n't forget it to any of you, let me tell you that." But Mr. Rodney is determined to "have it out with her," as he himself would say, before consenting to fade away out of her sight..