"Why not to Waterbath at once?" Fleda asked. "Of course I count the ghosts. It seems to me ghosts count double—for what they were and for what they are. Somehow there were no ghosts at Poynton," Fleda went on. "That was the only fault."!

"What then did she mean to do?" Fleda had fully recognized, the first days, that, quite apart from any question of letting Owen know where she was, it would be a charity to give him some sign: it would be weak, it would be ugly, to be diverted from that kindness by the fact that Mrs. Gereth had attached a tinkling bell to it. A frank relation with him was only superficially discredited: she ought for his own sake to send him a word of cheer. So she repeatedly reasoned, but she as repeatedly delayed performance: if her general plan had been to be as still as a mouse, an interview like the interview at Ricks would be an odd contribution to that ideal. Therefore with a confused preference of practice to theory she let the days go by; she felt that nothing was so imperative as the gain of precious time. She shouldn't be able to stay with her father forever, but she might now reap the benefit of having married her sister. Maggie's union had been built up round a small spare room. Concealed in this apartment she might try to paint again, and abetted by the grateful Maggie—for Maggie at least was grateful—she might try to dispose of her work. She had not indeed struggled with a brush since her visit to Waterbath, where the sight of the family splotches had put her immensely on her guard. Poynton moreover had been an impossible place for producing; no active art could flourish there but a Buddhistic contemplation. It had stripped its mistress clean of all feeble accomplishments; her hands were imbrued neither with ink nor with water-color. Close to Fleda's present abode was the little shop of a man who mounted and framed pictures and desolately dealt in artists' materials. She sometimes paused before it to look at a couple of shy experiments for which its dull window constituted publicity, small studies placed there for sale and full of warning to a young lady without fortune and without talent. Some such young lady had brought them forth in sorrow; some such young lady, to see if they had been snapped up, had passed and repassed as helplessly as she herself was doing. They never had been, they never would be, snapped up; yet they were quite above the actual attainment of some other young ladies. It was a matter of discipline with Fleda to take an occasional lesson from them; besides which, when she now quitted the house, she had to look for reasons after she was out. The only place to find them was in the shop-windows. They made her feel like a servant-girl taking her "afternoon," but that didn't signify: perhaps some day she would resemble such a person still more closely. This continued a fortnight, at the end of which the feeling was suddenly dissipated. She had stopped as usual in the presence of the little pictures; then, as she turned away, she had found herself face to face with Owen Gereth.

This made his companion thoughtful again. "Can you take such pleasure in her being 'finished'—a poor girl you've once loved?" Our young lady met this branch of the temptation it pleased her frankly to recognize by declaring that to encourage any such cruelty would be tortuous and base. She had nothing to do with his dislikes; she had only to do with his good-nature and his good name. She had joy of him just as he was, but it was of these things she had the greatest. The worst aversion and the liveliest reaction moreover wouldn't alter the fact—since one was facing facts—that but the other day his strong arms must have clasped a remarkably handsome girl as close as she had permitted. Fleda's emotion at this time was a wondrous mixture, in which Mona's permissions and Mona's beauty figured powerfully as aids to reflection. She herself had no beauty, and her permissions were the stony stares she had just practiced in the drawing-room—a consciousness of a kind appreciably to add to the particular sense of triumph that made her generous. I may not perhaps too much diminish the merit of that generosity if I mention that it could take the flight we are considering just because really, with the telescope of her long thought, Fleda saw what might bring her out of the wood. Mona herself would bring her out; at the least Mona possibly might. Deep down plunged the idea that even should she achieve what she had promised Owen, there was still the contingency of Mona's independent action. She might by that time, under stress of temper or of whatever it was that was now moving her, have said or done the things there is no patching up. If the rupture should come from Waterbath they might all be happy yet. This was a calculation that Fleda wouldn't have committed to paper, but it affected the total of her sentiments. She was meanwhile so remarkably constituted that while she refused to profit by Owen's mistake, even while she judged it and hastened to cover it up, she could drink a sweetness from it that consorted little with her wishing it mightn't have been made. There was no harm done, because he had instinctively known, poor dear, with whom to make it, and it was a compensation for seeing him worried that he hadn't made it with some horrid mean girl who would immediately have dished him by making a still bigger one. Their protected error (for she indulged a fancy that it was hers too) was like some dangerous, lovely living thing that she had caught and could keep—keep vivid and helpless in the cage of her own passion and look at and talk to all day long. She had got it well locked up there by the time that, from an upper window, she saw Mrs. Gereth again in the garden. At this she went down to meet her. So the young man, following her attentively, appeared equally to feel. "So far as that goes," he promptly declared, "she has at last tired Mona out." He uttered the words with a strange approach to hilarity.