"Oh, yes, I am quite ready," says Mona, starting somewhat guiltily. And then they pass out through the big yard-gate, with the two dogs at their heels, and their attendant squire, who brings up the rear with a soft whistle that rings through the cool night-air and tells the listening stars that the "girl he loves is his dear," and his "own, his artless Nora Creana.",
It is a very pretty room, filled with a subdued light, and with a blazing fire at one end. All bespeaks warmth, and home, and comfort, but to Mona in her present state it is desolation itself. The three occupants of the room rise as she enters, and Mona's heart dies within her as a very tall statuesque woman, drawing herself up languidly from a lounging-chair, comes leisurely up to her. There is no welcoming haste in her movements, no gracious smile, for which her guest is thirsting, upon her thin lips.,
But Mona will not be entreated; sweetly, but firmly, she declines to alter the sobriquet given her so long ago now. With much gentleness she tells Lady Rodney that she loves the name; that it is dearer to her than any other could ever be; that to be Mrs. Geoffrey is the utmost height of her very heighest ambition; and to change it now would only cause her pain and a vague sense of loss..
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