“Talk it over with him,” he said. “And bear this in mind for your own guidance.” He took a step forward, which brought his face quite close to hers: “If he fails, and all his life’s work goes for nothing, I shall be sorry; but I shan’t break my heart. He will.” “You are a wicked God,” Joan told Him. “Yes, You are. A cruel, wicked God.”!

“Don’t think me unsympathetic,” she said. “No one will rejoice more than I shall if God sees fit to call you to good work. But I can’t help letting fall my little tear of fellowship with the weeping.” Returning to the interior, Joan had duly admired the Cheyne monument, but had been unable to disguise her amusement before the tomb of Mrs. Colvile, whom the sculptor had represented as a somewhat impatient lady, refusing to await the day of resurrection, but pushing through her coffin and starting for Heaven in her grave-clothes. Pausing in front of the Dacre monument, Joan wondered if the actor of that name, who had committed suicide in Australia, and whose London address she remembered had been Dacre House just round the corner, was descended from the family; thinking that, if so, it would give an up-to-date touch to the article. She had fully decided now to write it. But Mary Stopperton could not inform her. They had ended up in the chapel of Sir Thomas More. He, too, had “given up things,” including his head. Though Mary Stopperton, siding with Father Morris, was convinced he had now got it back, and that with the remainder of his bones it rested in the tomb before them.

Even the shopman wavered. Joan pressed her advantage; directed Mrs. Phillips’s attention to something a little less awful. Mrs. Phillips yielded. “One of these days somebody will start a Society for the Reformation of the Press,” thought Flossie. “I wonder how the papers will take it?” Mrs. Phillips was in bed when Joan went up to say good-bye. “You’ll come again soon?” she asked, and Joan promised. “You’ve made me so happy,” she whispered. The nurse was in the room.