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"To love such a woman as that, and be beloved by her, how it would change a man's whole nature, no matter how low he may have sunk," he says, slowly. "It would mean salvation! But as it is—No, I cannot draw back now: it is too late.",

"I think I see myself behind Mazerin, at this time of day," says Mr. Rodney, heartlessly. "You don't catch me at it, if I know it. I'm not sure what horse I shall have, but I trust to Thomas to give me a good one. For the last time, good-by, you amiable young goose, and don't expect me till I come.",

"If I am, Warden surely knows more about the will than he has sworn to.",

At this Mona and Geoffrey break into silent laughter, being overcome by the insinuation about lying.

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"Oh, no, not now," pleads Violet, hastily. She rises hurriedly from her seat, and lays her disengaged hand on his lips. For once in her life she loses sight of her self-possession, and a blush, warm and rich as carmine, mantles on her cheek.,

Mona, who has again been dancing with the duke, stopping near where the duchess is sitting, the latter beckons her to her side by a slight wave of her fan. To the duchess "a thing of beauty is a joy forever," and to gaze on Mona's lovely face and admire her tranquil but brilliant smile gives her a strange pleasure.,

"Oh! if you mean by that you want to get rid of me, you might have said so long ago, without all this hinting," says Mr. Rodney, huffily, preparing to beat an indignant retreat.,

As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure.