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“Well now Howard Eliot I carnt see nothin’ in that to larf at. It is grand readin’. Do read another,” said Mrs. Wopp. And gents your black and tan, “Yes indeed,” laughed Mrs. Wopp, who was just then entering the room with a platter of bacon and eggs, “Betty’s our mornin’-glory girl shore nuff, she’s first up in the mornin’, she’s a glory little urchin an’ she’s our little girl to stay.”.

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Nell looked toward the morning-glory garden and there she saw Betty kneeling in the moonlight. Jethro was sitting up on his hind legs beside the little figure, holding his paws before him. The moonlight fell on his penitential white body, on the stiff braids of the sorrowful and contrite Betty, and lighted up the bright yellow nasturtiums that filled the air with their pungent odor. The morning-glory leaves gleamed in the pure white light. For I’m a young thing and cannot leave my mother.” A dull yellow glow from the kerosene lamp, placed by Moses on the bureau, lighted up the figure of Betty reclining on snowy pillows. On one side of her was seated Howard, his arm about the drowsy child. On the side of the bed, squarely seated on one of Mrs. Wopp’s texts worked into the patchwork quilt, was Nell, watching the little pallid face and trying to avoid the eyes of her silent lover. When brother and sister left her, strange thoughts flitted through her head. She heard Mrs. Bennett beating eggs in the kitchen; saw the logs Billy had piled in the wood-box. On the wall above the piano hung Edith’s schedule—time table, Billy called it. May Nell had already studied it, had seen the fifty or more lessons set for each week; and needlework on the music table, and books there the child had discovered were for music study,—these told her what a busy woman Billy’s sister must be..