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So a little church had been built there. The four walls of peeled logs carefully chinked with plaster were now grey and weathered. Inside of the building the red-draped altar, pulpit and reading-desk occupied at least one-third of the available space. There were pews to seat a score of people and behind these was a large heater. The uneven walls were whitewashed. In the windows, three on each side, were alternate blue and white panes of glass., A liberal application of shoe paste furnished the unfortunate victim with a startling pair of jet-black eyebrows, nearly an inch in depth. Appalled at what he saw, Moses drew from his pocket a grimy handkerchief. Dampening one corner of it in his mouth, the most expeditious thing to do under the circumstances, he carefully wiped around the outside of these funereal bands, reducing them slightly in size but also straightening their edges., Next followed a buckboard gaily painted red. Mrs. Mifsud and her daughter Maria aged fourteen who had taken a “quarter” of music lessons and was now the organist of the church, were occupants. Between them was wedged the pet of the family St. Elmo Mifsud a child of four. St. Elmo wore long chestnut curls and an angelic expression. Clarence Egerton Crump, Mrs. Mifsud’s nephew who was visiting his aunt and cousins, accompanied the family on his wheel..