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Lucy had related much, but she had much more to tell, and she narrated to her father fresh stories of her madness, and drew several graphic pictures of Mr Lawrence whilst he laboured under the various sensations her genius as an untutored artist excited. She spoke with contempt of Mr Eagle, whilst she had little or nothing to say about Mr Pledge. Her narratives were marked by a strong leaning in favour of Mr Lawrence. Her father could not mistake. Her prejudice, indeed her fondness, was expressed not so much in her admirable recitals and her references to the dignified and gentlemanly manner with which Mr Lawrence had treated her, with which he had received her aggravating, indeed her venomous, references to his past and present conduct, as in the pause, the soft, thoughtful smile, the brief exclamation, the sigh, and[Pg 408] now and again the little but significant remark., Next day was Sunday and Billy did not like Sundays. They meant the scrubbing of his face, ears and neck with "Old Brown Windsor" soap until it fairly cracked if he so much as smiled, and being lugged off with his parents and Anse to early forenoon Sunday School in the little frame church in the Valley. There was nothing interesting about Sunday School; it was the same old hum-drum over and over again—same lessons, same teachers, same hymns, same tunes; with Deacon Ringold's assertive voice cutting in above all the other voices both in lessons and singing and with Mrs. Scraff's shrill treble reciting, for her class's edification, her pet verse: "Am I nothing to thee, all ye who pass by?"—only Mrs. Scraff always improvised more or less on the scriptures, and usually threw the verse defiantly from her in this form: "You ain't nuthin to me, all you who pass me by.", "Umph! I'm not so green as I look. I know whose they be. They're Ann's.".