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"Are ye speaking to me?" said old John. Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles. "Pshaw! Bill, he couldn't hurt Spotba, the womper, could he?".

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Presently Billy Wilson emerged from the cottage, received his basket from Caleb, and trotted off toward the Keeler place. But the stranger remained so long invisible from the deck whilst she could be easily distinguished from the height of the fore-topgallant and then from the fore-topsail yard,[Pg 412] and then from midway the altitude of the fore-shrouds, that it was not before the afternoon had passed into a golden brightness of westering sunlight that the ship right ahead revealed her canvas to the quarterdeck of the Aurora. Lucy had watched the sailors of the barque gather in the confusion of studding-sails until the vessel looked as trim and fit aloft as need be; she had also watched the passage of the Phœbe's boat to the frigate, and its return to the barque with one man more, whose position on board she could not imagine, neither that nor the reason for his being fetched. The man-of-war lay near, rolling languidly, lifting her copper sheathing on fire with wet sunshine, pointing her guns at the sea as the bright buttons of her trucks described arcs upon the blue sky like the flight of meteors in the velvet deeps of night. But now at half-past four the girl seemed to witness a commotion on board the barque. A man went aloft to the main-yard arm, and another to the fore-yard arm, and some one standing upon the quarterdeck of the Minorca, in a voice by which she guessed him to be Mr Fellowes, hailed the schooner, and requested Captain Weaver to send whips aloft to hoist a sick man in a litter aboard. He looked attentively at the seals, which were impressed with the Acton crest. He mused for a little while over this document manifestly thinking of other things. Though his brow was knit, his handsome face was a-work with thought. Under that knitted brow the expression of the idea in him came and went. There never could have been a finer study for an artist than this tall and elegant creature, slightly bowed, his beauty lighted up so to speak by the several colours of the moods which inspired him, and which seemed by the occasional movement of his lips to indicate the rehearsal of a passage that was to follow. With an impulse almost passionate as an effect of stern resolution he replaced the tin box, walked out of the berth,[Pg 248] and dangling a key which he had withdrawn from his pocket, stood listening for a few moments at the door of the berth which adjoined the one he had quitted..