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“Well, Miss Smith, are you alone here?” To stay the cloud that began to gather over Moses’ brow, Howard suggested going to see a vaudeville show. “Billy! I’ll tell you what let’s do; we’ll make a circus ourselves!”.

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“I’ll lick you good and plenty,” answered the man, his face purple with indignation. Whereupon Moses, overcome utterly with mirth, lost his own balance and rubbed his freckled nose along a shining streak of slippery pavement. The dance was held in a new barn of which the floor was especially good. Indeed the young people of the family had seen to that. Unfortunately the stable end of the building was already in use and this proved to be somewhat inconvenient. During the festivities of the evening one delicate lady fainted from excitement and overpowering stable odors. She speedily revived, however, on being carried into the fresh air and soused with a bucket of cold water. The building was illuminated with lanterns and an occasional oil lamp. Benches were ranged along the walls. The crowd was large and as usual at these affairs men predominated in numbers. The dances were mostly square ones and when a husky caller-off became hoarse and exhausted with shouting, another took his place. He usually stood at one end of the building beside the fiddler. Betty picked him a small bouquet. She knew that in the child’s hot grasp the flowers would soon droop and she loved them so dearly that she grieved to see them wither and die. St. Elmo, however, was not satisfied. Another sound in a somewhat higher key was heard. Moses had simply modulated in his domestic symphony of labor from a major task to a minor one. As a change and refreshing recreation, Moses was allowed to turn the small wheat-mill. Ninety soul-stirring turns it required to empty the hopper once, and he must turn out enough flour for a batch of bread. His youthful soul was in revolt at such servitude. He had no sympathy to squander on the children of Israel in bondage vile. Making bricks for Pharoah was infantile amusement compared to his labor..