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"If you would only hear me——" The old woman went away, and after a time came back with one of the man's relations. He went with this relation to the ghosts' camp. When they came to the large lodge some one called out and asked the man what he was doing there, and he answered as the old woman had told him. As he passed on through the camp the ghosts tried to frighten him with many fearful sights and sounds, but he kept up a strong heart. "If that be so, she'll make you keep from splittin' on us," says the man. "So now go; we've work in hand to-night not fit for her eyes.".
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"Yes, I know it now!" returns she, softly, yet with the gentle dignity that always belongs to her. Her lips quiver, but she draws herself up to her fullest height, and, throwing up her head, walks with a gait that is almost stately into the presence of the duchess. "Mona! Are you crying for me?" says Paul Rodney, as though surprised. "Do not. Your tears hurt me more than this wound that has done me to death." "Who are they waiting for?" says Mona, anxiously. "I mean that she shall remain just as she is. The world may be 'given to lying,' as Shakspeare tells us, but I will not have Mona tutored into telling fashionable falsehoods," says this intrepid young man facing his mother without a qualm of a passing dread. "A lie of any sort is base, and a prevarication is only a mean lie. She is truthful, let her stay so. Why should she learn it is the correct thing to say she is not at home when she is, or that she is suffering from a foolish megrim when she isn't? I don't suppose there is much harm in saying either of these things, as nobody ever believes them; but—let her remain as she is.".
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