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Once upon a time there was a woodcutter and his wife who had seven children, all boys. The eldest was but ten years old, and the youngest only seven. People wondered that the woodcutter had so many children so near in age, but the fact was, that several of them were twins. He and his wife were very poor, and their seven children were a great burden to them, as not one of them was yet able to earn his livelihood. What troubled them still more was, that the youngest was very delicate, and seldom spoke, which they considered a proof of stupidity rather than of good sense. He was very diminutive, and, when first born, scarcely bigger than one's thumb, and so they called him Little Thumbling. Johnny smiled condescendingly. “You don’t know how strong I am, Uncle Isaac. Look at my muscle here.” He had a match and if there was enough wood there was a chance. The planking of the door was dry and there was no reason why it would not catch..

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He was just sick and tired of seeing those apples in that good-for-nothing garden. Good-for-nothing it certainly was, and very, very old. There was only one apple tree besides the one Johnny was so interested in, but its fruit could scarcely be called apples at all. He would call them croquet balls—such hard green things as they were—hard as rocks. Of course if any of them were on the ground, he bit into them. In fact, he had eaten a good many of them first and last, but they were horrid things, anyway. Meanwhile a circumstance occurred which increased the general discord, and threatened Emilia with the loss of her last remaining comfort—the advice and consolation of Madame de Menon. The marchioness, whose passion for the Count de Vereza had at length yielded to absence, and the pressure of present circumstances, now bestowed her smiles upon a young Italian cavalier, a visitor at the castle, who possessed too much of the spirit of gallantry to permit a lady to languish in vain. The marquis, whose mind was occupied with other passions, was insensible to the misconduct of his wife, who at all times had the address to disguise her vices beneath the gloss of virtue and innocent freedom. The intrigue was discovered by madame, who, having one day left a book in the oak parlour, returned thither in search of it. As she opened the door of the apartment, she heard the voice of the cavalier in passionate exclamation; and on entering, discovered him rising in some confusion from the feet of the marchioness, who, darting at madame a look of severity, arose from her seat. Madame, shocked at what she had seen, instantly retired, and buried in her own bosom that secret, the discovery of which would most essentially have poisoned the peace of the marquis. The marchioness, who was a stranger to the generosity of sentiment which actuated Madame de Menon, doubted not that she would seize the moment of retaliation, and expose her conduct where most she dreaded it should be known. The consciousness of guilt tortured her with incessant fear of discovery, and from this period her whole attention was employed to dislodge from the castle the person to whom her character was committed. In this it was not difficult to succeed; for the delicacy of madame's feelings made her quick to perceive, and to withdraw from a treatment unsuitable to the natural dignity of her character. She therefore resolved to depart from the castle; but disdaining to take an advantage even over a successful enemy, she determined to be silent on that subject which would instantly have transferred the triumph from her adversary to herself. When the marquis, on hearing her determination to retire, earnestly enquired for the motive of her conduct, she forbore to acquaint him with the real one, and left him to incertitude and disappointment. “It’s money so that you can be made to see again,” answered Johnny, earnestly. “What should I do there?”.