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"Thanks!" returns he, with an ironical laugh. "How excellently your tone agrees with your words?" Mona looks up startled. The faint rays of the new-born moon are indeed rushing through the casement, and are flinging themselves languidly upon the opposite wall, but they are pale and wan, as moonlight is in its infancy, and anything but brilliant. Besides, Rodney's eyes are turned not on them, but on the door that can be seen just over Mona's head, where no beams disport themselves, however weakly. "It was for you," she says, hanging her head. "I thought if I could do something to make you happier, you might learn to love me a little!".

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"Now I think you are making fun of me," says Mona, smiling sweetly; and, lifting her hand, she pinches his ear lightly, and very softly, lest she should hurt him. "Why not? it just suits him: 'A little, round, fat, oily man of——'" He has so far recovered his courage that he has taken her hand, and is now holding it in a close grasp; and Mona, though a little frown still lingers on her low, broad forehead, lets her hand so lie without a censure. "Except that my hair is rolled up, and is too dark, isn't it? I have read about her, and I once saw a picture of Marguerite in the Gallery in Dublin, and it was very beautiful. I remember it brought tears to my eyes, and Aunt Anastasia said I was too fanciful to be happy. Her story is a very sad one, isn't it?".