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Patricia broke off laughing at Judith's absolutely unconscious face, as, with fingers once again screwed into her ears and mouth twisted intently, she immersed herself in the dignified oblivion of study. "Miss Griffin!" came the dreary voice of the monitor, as with a fat and dimpled finger she pointed solemnly to the sign on the door, "No TALKING." "I mean no such thing," retorted Etwald, opening the door. "All true comedies end in the meeting of lovers.".
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"Pretty smelly sort of a place, isn't it?" said Tom Hughes to Patricia, with great cheerfulness. "I suppose you get awfully mussed up with that clay, too. Isn't it hard to work in?" She set to work with a will, humming to herself as she worked, the failure of her more ambitious undertaking forgotten in the joy of renewed hope, and her intimate knowledge of Judith's face and figure helping unconsciously to better work than she could have done in the schools. She had come in from her visit to the Academy, where she had interviewed the model with a thoroughness that left little of her past unexplored, and her face was sad and thoughtful as she stood pulling off her gloves, finger by finger, by the big side window in the studio. "Oh, you're just in time!" she cried, her cheeks flushed and her eyes shining with a great light of happiness. "You were Aunt Louise's best friend here, and you'll know just how she'd feel. I got my criticism!" She paused, choking with emotion. "He came up behind me, and he stood there so long I was afraid to go on working; and when I stopped, he spoke out loud, twisting his moustache and popping off his eye-glasses.".
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