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As for the Australian, he has grown pale indeed, but is quite self-possessed, and the usual insolent line round his mouth has deepened. The dogs have by no means relaxed their vigil, but still crouch before him, ready for their deadly spring at any moment. It is a picture, almost a lifeless one, so motionless are all those that help to form it. The fading fire, the brilliant lamp, the open window with the sullen night beyond, Paul Rodney standing upon the hearthrug with folded arms, his dark insolent face lighted up with the excitement of what is yet to come, gazing defiantly at his cousin, who is staring back at him, pale but determined. And then Mona, in her soft white gown, somewhat in the foreground, with one arm (from which the loose sleeve of the dressing-gown has fallen back, leaving the fair rounded flesh to be seen) thrown around her husband's neck, is watching Rodney with an expression on her face that is half haughtiness, half nervous dread. Her hair has loosened, and is rippling over her shoulders, and down far below her waist; with her disengaged hand she is holding it back from her ear, hardly knowing how picturesque and striking is her attitude, and how it betrays each perfect curve of her lovely figure. He is evidently quite exhausted. His brow is moist, his eyes are sunken, his lips more pallid, more death-like than they were before. In little painful gasps his breath comes fitfully. Then all at once it occurs to Mona that though he is looking at her he does not see her. His mind has wandered far away to those earlier days when England was unknown and when the free life of the colony was all he desired. Having accomplished her toilet without the assistance of a maid (who would bore her to death), and without disturbing her lord and master, she leaves her room, and, softly descending the stairs, bids the maid in the hall below a "fair good-morning," and bears no malice in that the said maid is so appalled by her unexpected appearance that she forgets to give her back her greeting. She bestows her usual bonnie smile upon this stricken girl, and then, passing by her, opens the hall door, and sallies forth into the gray and early morning..
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"Dorothy," says a voice outside at this very instant, so exactly as Doatie pauses that both she and Nicholas start simultaneously. And then she falls upon her knees again, and Geoffrey in the background, though unseen, kneels too; and Mona, in a broken voice, because she is crying very bitterly now, whispers some words of comfort for the dying. "He isn't!" says Geoffrey, panting "I have him at last!" Whereupon he emerges from a wilderness of ferns, drawing after him and holding up triumphantly to the light the wandering bird, that looks more dead than alive, with all its feathers drooping, and its breath coming in angry cries. His eyes, black and faintly savage, seem to burn into hers..
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