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"But why?" persists he. Her voice falters. Instinctively she looks round for help. She feels deserted,—alone. No one speaks. Sir Nicholas and Violet, who are in the room, are as yet almost too shocked to have command of words; and presently the silence becomes unbearable. "You aren't angry, are you?" says Mona, now really contrite. "I couldn't help it, and it was like it, you know.".

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"I accept the risk," says Nolly, with much stateliness and forthwith retires to make himself presentable. Weasel Heart and Fisher filled their pipes and smoked, and then each started to cross the river. As each stepped into the water, the river began to go down and the crossing grew more and more shallow. The people with all their dogs followed close behind Fisher, as he had told them to do. Fisher and Weasel Heart met in the middle of the river, and when they met they stepped to one side up the stream and let the people pass them. Ever since that day this has been a shallow crossing. It was in the boudoir they were sitting, and Violet was dressed in some soft gray dress that shone and turned into palest pearl as she moved. It was his mother's boudoir, the room she most affects, with its crimson and gray coloring and its artistic arrangements, that blend so harmoniously, and are so tremendously becoming to the complexion when the blinds are lowered. How pretty Mona would look in a gray and crimson room? how—— "Do not ever speak to me like that again," says Mona, turning upon him eyes humid with disappointment, yet free from wrath of any kind. "As for Mr. Moore," with a curl of her short upper lip that it does him good to see, and a quick frown, "why, he is as old as the hills, and as fat as Tichborne, and he hasn't got a single hair on his head!".