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"Tired!" says Geoffrey, hastily. "No, indeed. What could tire of anything so divine? If it is your wish, it is mine also, that we should stay here for a little while longer." Then, struck by the intense relief in her face, he goes on: "How you do enjoy the beauties of Nature! Do you know I have been studying you since you came here, and I could see how your whole soul was wrapped in the glory of the surrounding prospect? You had no thoughts left for other objects,—not even one for me. For the first time," softly, "I learned to be jealous of inanimate things." "It is so nice here," she says, with a soft sigh, and a dreamy smile, whereupon he too climbs and seats himself beside her. As they are now situated, there is about half a yard between them of passable wall crowned with green sods, across which they can hold sweet converse with the utmost affability. The evening is fine; the heavens promise to be fair; the earth beneath is calm and full of silence as becomes a Sabbath eve; yet, alas! Mona strikes a chord that presently flings harmony to the winds. Mona, who has again been dancing with the duke, stopping near where the duchess is sitting, the latter beckons her to her side by a slight wave of her fan. To the duchess "a thing of beauty is a joy forever," and to gaze on Mona's lovely face and admire her tranquil but brilliant smile gives her a strange pleasure..
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Conrad
To Ridgway, the under-gardener, he willed three hundred pounds, "as some small compensation for the evil done to him," so runs the document, written in a distinct but trembling hand. And then follow one or two bequests to those friends he had left in Australia and some to the few from whom he had received kindness in colder England. "We should be all good subjects enough, if things were on a friendlier footing," says Mona, too absorbed in her own grievance to notice Mr. Rodney's suppressed but evident enjoyment of her conversation. "But when you despise us, you lead us to hate you." She doesn't want in the very least to know who he is, but thinks it her duty to say something, as the silence being protracted grows embarrassing. "Then I will sing you a song I was sent last week," says Mona, and forthwith sings him "Years Ago," mournfully, pathetically, and with all her soul, as it should be sung. Then she gives him "London Bridge," and then "Rose-Marie," and then she takes her fingers from the piano and looks at him with a fond hope that he will see fit to praise her work..
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