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After this the people found a certain sort of stone in the land, and took another harder stone, and worked one upon the other and hollowed out the softer one, so as to make of it a kettle. So he takes her hand, and together they lean over the brink and survey themselves in Nature's glass. Lightly their faces sway to and fro as the running water rushes across the pool,—sway, but do not part; they are always together, as though in anticipation of that happy time when their lives shall be one. It seems like a good omen; and Mona, in whose breast rests a little of the superstition that lies innate in every Irish heart, turns to her lover and looks at him. Altogether it is a very exciting and pleasurable moment..

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Old Man wished to make land, and he told the beaver to dive down to the bottom of the water and to try to bring up a little mud. The beaver dived and was under water for a long time, but he could not reach the bottom. Then the loon tried, and after him the otter, but the water was too deep for them. At last the muskrat was sent down, and he was gone for a long time; so long that they thought he must be drowned, but at last he came up and floated almost dead on the water, and when they pulled him up on the raft and looked at his paws, they found a little mud in them. When Old Man had dried this mud, he scattered it over the water and land was formed. This is the story told by the Blackfeet. It is very much like one told by some Eastern Indians, who are related to the Blackfeet. Mona accepts this excuse for bygone injustice, and even encourages her mother-in-law to enlarge upon it,—seeing how comfortable it is to her so to do,—and furthermore tries hard in her own kind heart to believe in it also. Mona starts violently, and draws back; shame and indignation cover her. Her breath comes in little gasps. Soon an old woman, bent with age and crippled, came from the door and smiled as she saw the two persons coming..