“To the poor?” the old man almost shrieked. “To the poor that he has robbed of all power of resistance to oppression by his vile, submissive creed! that he has drugged into passive acceptance of every evil done to them by his false promises that their sufferings here shall win for them some wonderful reward when they are dead. What has been his teaching to the poor? Bow your backs to the lash, kiss the rod that scars your flesh. Be ye humble, oh, my people. Be ye poor in spirit. Let Wrong rule triumphant through the world. Raise no hand against it, lest ye suffer my eternal punishments. Learn from me to be meek and lowly. Learn to be good slaves and give no trouble to your taskmasters. Let them turn the world into a hell for you. The grave—the grave shall be your gate to happiness. God was conquering. Unceasing through the ages, God’s voice had crept round man, seeking entry. Through the long darkness of that dim beginning, when man knew no law but self, unceasing God had striven: until at last one here and there, emerging from the brute, had heard—had listened to the voice of love and pity, and in that hour, unknowing, had built to God a temple in the wilderness.!

“That’s the one,” said Mrs. Phillips. “I little thought I was letting myself in for being the wife of a big pot when Bob Phillips came along in ’is miner’s jacket.” It was all so sweet and restful. Religion had never appealed to her before. The business-like service in the bare cold chapel where she had sat swinging her feet and yawning as a child had only repelled her. She could recall her father, aloof and awe-inspiring in his Sunday black, passing round the bag. Her mother, always veiled, sitting beside her, a thin, tall woman with passionate eyes and ever restless hands; the women mostly overdressed, and the sleek, prosperous men trying to look meek. At school and at Girton, chapel, which she had attended no oftener than she was obliged, had had about it the same atmosphere of chill compulsion. But here was poetry. She wondered if, after all, religion might not have its place in the world—in company with the other arts. It would be a pity for it to die out. There seemed nothing to take its place. All these lovely cathedrals, these dear little old churches, that for centuries had been the focus of men’s thoughts and aspirations. The harbour lights, illumining the troubled waters of their lives. What could be done with them? They could hardly be maintained out of the public funds as mere mementoes of the past. Besides, there were too many of them. The tax-payer would naturally grumble. As Town Halls, Assembly Rooms? The idea was unthinkable. It would be like a performance of Barnum’s Circus in the Coliseum at Rome. Yes, they would disappear. Though not, she was glad to think, in her time. In towns, the space would be required for other buildings. Here and there some gradually decaying specimen would be allowed to survive, taking its place with the feudal castles and walled cities of the Continent: the joy of the American tourist, the text-book of the antiquary. A pity! Yes, but then from the aesthetic point of view it was a pity that the groves of ancient Greece had ever been cut down and replanted with currant bushes, their altars scattered; that the stones of the temples of Isis should have come to be the shelter of the fisher of the Nile; and the corn wave in the wind above the buried shrines of Mexico. All these dead truths that from time to time had encumbered the living world. Each in its turn had had to be cleared away.

There had been whispered talk among the men, and when she rose the one who had first spoken to her came forward. He was nervous and stood stiffly. The order was once more corrected. Joan had the consolation of witnessing the childish delight that came again into the foolish face; but felt angry with herself at her own weakness. They had risen. Joan folded her hands. “Thank you for your scolding, ma’am,” she said. “Shall I write out a hundred lines of Greek? Or do you think it will be sufficient if I promise never to do it again?”