"I dare say she wasn't. But the less she's satisfied the more I'm free." "Is that what you said to her?" Fleda asked.!

Fleda had more than one small errand in the big bazaar, and he went up and down with her, pointedly patient, pretending to be interested in questions of tape and of change. She had now not the least hesitation in wondering what Mona would think of such proceedings. But they were not her doing—they were Owen's; and Owen, inconsequent and even extravagant, was unlike anything she had ever seen him before. He broke off, he came back, he repeated questions without heeding answers, he made vague, abrupt remarks about the resemblances of shopgirls and the uses of chiffon. He unduly prolonged their business together, giving Fleda a sense that he was putting off something particular that he had to face. If she had ever dreamed of Owen Gereth as nervous she would have seen him with some such manner as this. But why should he be nervous? Even at the height of the crisis his mother hadn't made him so, and at present he was satisfied about his mother. The one idea he stuck to was that Fleda should mention something she would let him give her: there was everything in the world in the wonderful place, and he made her incongruous offers—a traveling-rug, a massive clock, a table for breakfast in bed, and above all, in a resplendent binding, a set of somebody's "works." His notion was a testimonial, a tribute, and the "works" would be a graceful intimation that it was her cleverness he wished above all to commemorate. He was immensely in earnest, but the articles he pressed upon her betrayed a delicacy that went to her heart: what he would really have liked, as he saw them tumbled about, was one of the splendid stuffs for a gown—a choice proscribed by his fear of seeming to patronize her, to refer to her small means and her deficiencies. Fleda found it easy to chaff him about his exaggeration of her deserts; she gave the just measure of them in consenting to accept a small pin-cushion, costing sixpence, in which the letter F was marked out with pins. A sense of loyalty to Mona was not needed to enforce this discretion, and after that first allusion to her she never sounded her name. She noticed on this occasion more things in Owen Gereth than she had ever noticed before, but what she noticed most was that he said no word of his intended. She asked herself what he had done, in so long a parenthesis, with his loyalty or at least his "form;" and then reflected that even if he had done something very good with them the situation in which such a question could come up was already a little strange. Of course he wasn't doing anything so vulgar as making love to her; but there was a kind of punctilio for a man who was engaged. Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?"

Mrs. Gereth drank off her second cup. "And you're not afraid now?" "That you had had a long talk with me, without seeing your mother at all?" If Owen had not come down with them nor joined them later, it was because he still found London jolly; yet the question remained of whether the jollity of London was not merely the only name his small vocabulary yielded for the jollity of Mona Brigstock. There was indeed in his conduct another ambiguity—something that required explaining so long as his motive didn't come to the surface. If he was in love, what was the matter? And what was the matter still more if he wasn't? The mystery was at last cleared up: this Fleda gathered from the tone in which, one morning at breakfast, a letter just opened made Mrs. Gereth cry out. Her dismay was almost a shriek: "Why, he's bringing her down—he wants her to see the house!" They flew, the two women, into each other's arms and, with their heads together, soon made out that the reason, the baffling reason why nothing had yet happened, was that Mona didn't know, or Owen didn't, whether Poynton would really please her. She was coming down to judge; and could anything in the world be more like poor Owen than the ponderous probity which had kept him from pressing her for a reply till she should have learned whether she approved what he had to offer her? That was a scruple it had naturally been impossible to impute. If only they might fondly hope, Mrs. Gereth wailed, that the girl's expectations would be dashed! There was a fine consistency, a sincerity quite affecting, in her arguing that the better the place should happen to look and to express the conceptions to which it owed its origin, the less it would speak to an intelligence so primitive. How could a Brigstock possibly understand what it was all about? How, really, could a Brigstock logically do anything but hate it? Mrs. Gereth, even as she whisked away linen shrouds, persuaded herself of the possibility on Mona's part of some bewildered blankness, some collapse of admiration that would prove disconcerting to her swain—a hope of which Fleda at least could see the absurdity and which gave the measure of the poor lady's strange, almost maniacal disposition to thrust in everywhere the question of "things," to read all behavior in the light of some fancied relation to them. "Things" were of course the sum of the world; only, for Mrs. Gereth, the sum of the world was rare French furniture and Oriental china. She could at a stretch imagine people's not having, but she couldn't imagine their not wanting and not missing.