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"You don't tell me, Willium! Why then, salts is jest what he needs. I'll wake him up an' give 'em to him." He had been so transported by his scheme for winning the beautiful young girl whom he worshipped that his survey of the vast canvas of his intentions was in reality restricted to but one corner of it, so that he saw only a little of the whole truth. First, and certainly foremost, he had counted upon her love for[Pg 290] him, which, however carefully the secret might have been kept by her, was witnessed by him every time they had met, and flourished as a conviction in him. He had looked for her forgiveness for the rashness, and, it may be added, the cruelty of his conspiracy of love, and he never could have believed that in the sweet image of the girl dwelt such a character as she had exhibited since, after inveigling her on board into his cabin, he confessed that the story which had brought her to him was a lie, and with a face filled with the light of worship for her avowed his intentions. "An' when'll that be, Harry?".

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"Why, sure we was, but we were stuck tight. You might have passed us, easy enough." "I have no doubt. I have heard sterling reports of him; if he erred in his task it was because he was too lenient. Tell me, Mr. Keeler, is there not some history attached to him concerning a will, or property left by a man by the name of Scroggie? I'll admit I have no motive in so questioning save that of curiosity, but one wishes to know all one can learn about the man one is to follow. Is that not so, ma'am?" he asked, turning to the watchful hostess. Lucy heard a church bell strike: she started from a fit of abstraction, and, turning to move on, confronted an old man who was crossing the bridge. The face of this old man was pale and wrinkled; his hair was long and quite white. His nose streamed down his face in a thin, curling outline; his mouth when his lips were compressed might be expressed by a simple stroke of a pencil.[Pg 30] His eyes were deep-seated and extraordinarily luminous and swift in their motions, and his eyebrows, which were as white as his hair, were so thick and overhanging that they might have passed for a couple of white mice sleeping on his brow. His apparel had that dim and faded look which in fiction is associated with miserliness. His high and dingy white cravat and the tall build of his coat at the back of his head, so sloped his shoulders that they looked to make a line with his arms. He wore a faded red waistcoat which sank very low, and under it dangled a bunch of seals. His knee-breeches left painfully visible the pipe-stem shanks clothed in grey hose and terminating in large shoes, burdened with steel buckles. "I shall turn off at the bridge," she answered. "It is not long since that I was with your father. I left him in conversation with Captain Acton at Old Harbour House. I believe I heard your name mentioned as I passed away from them.".