"Good-bye, Mr. Gereth—I must get on!" she declared with a cheerfulness that she felt to be an unnatural grimace. She broke away from him sharply, smiling, backing across the grass and then turning altogether and moving as fast as she could. "Good-bye, good-bye!" she threw off again as she went, wondering if he would overtake her before she reached the gate; conscious with a red disgust that her movement was almost a run; conscious too of just the confused, handsome face with which he would look after her. She felt as if she had answered a kindness with a great flouncing snub, but at any rate she had got away, though the distance to the gate, her ugly gallop down the Broad Walk, every graceless jerk of which hurt her, seemed endless. She signed from afar to a cab on the stand in the Kensington Road and scrambled into it, glad of the encompassment of the four-wheeler that had officiously obeyed her summons and that, at the end of twenty yards, when she had violently pulled up a glass, permitted her to recognize the fact that she was on the point of bursting into tears. "Does it happen to be in your power to give it a name?" Mrs. Gereth's face showed the dim dawn of an amusement at finding herself seated at the feet of her pupil.!

"Are you sure?" "I don't want to see any letter," said Fleda. "You'll miss your train."

"To the smallest snuff-box. The last load went yesterday. The same people did it. Poor little Ricks is empty." Then as if, for a crowning splendor, to check all deprecation, "They're yours, you goose!" Mrs. Gereth concluded, holding up her handsome head and rubbing her white hands. Fleda saw that there were tears in her deep eyes. Fleda immediately guessed from his tone that he had not come in to say what she supposed; there was even something in it to confirm Mrs. Gereth's belief that their danger had dropped. She was sure, moreover, that his tribute to Mona's taste was a repetition of the eloquent words in which the girl had herself recorded it; she could indeed hear, with all vividness, the pretty passage between the pair. "Don't you think it's rather jolly, the old shop?" "Oh, it's all right!" Mona had graciously remarked; and then they had probably, with a slap on a back, run another race up or down a green bank. Fleda knew Mrs. Gereth had not yet uttered a word to her son that would have shown him how much she feared; but it was impossible to feel her friend's arm round her and not become aware that this friend was now throbbing with a strange intention. Owen's reply had scarcely been of a nature to usher in a discussion of Mona's sensibilities; but Mrs. Gereth went on, in a moment, with an innocence of which Fleda could measure the cold hypocrisy: "Has she any sort of feeling for nice old things?" The question was as fresh as the morning light. "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days.