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Maurice looked frightened. "I wasn't pokin' fun at the charm, Bill, cross my heart, I wasn't," he said earnestly. Billy looked searchingly at his new friend. "I never told a soul how I did it, 'cept my chum, Maurice Keeler," he said. "But I'll tell you. That same evenin' I was prowlin' through the slashin' lookin' fer white grubs fer bass-bait. I found a big rotten stump, so I pushed it over, an' right down under the roots I found an old weasel an' six half-grown kittens. Afore she could get over her surprise, I had her an' her family in the tin pail I had with me, an' the cover on. By rights I should'a killed the whole caboodle of 'em, I s'pose, 'cause they're mighty hard on the birds; but I had work fer 'em to do. "Yes, sir. If we had a good well I wouldn't have to drive the cows down to the lake every night, like this.".

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"How do you mean they seem scared of Jacobs?" They were sailing in bright latitudes where the weather is warm, where often the sea rolls in a languid silken swell like the gentle heavings of a carpet of the sheen of satin under-blown, where the stars shine with brilliance and the moon at her full has an almost sun-like power. And very fortunately the two ships were favoured with fine and sparkling days vital with favourable winds. Throughout the daylight hours the two ships held each other steadily in view, the schooner under slightly reduced canvas, and the frigate under a press, and at night each signalled her place by rockets discharged at intervals, so that always when day broke the brace of pursuing structures were found to be either abreast, or almost so, each sunk from the sight of the other to the line of her bulwarks. "You've gotta come, too." This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation..