So Ernest Darling, a bag of bones and a death’s-head, a perambulating corpse, with just the dimmest flutter of life in it to make it perambulate, turned his back upon men and the habitations of men and dragged himself for five miles through the brush, away from the city of Portland, Oregon. Of course he was crazy. Only a lunatic would drag himself out of his death-bed. We walked across a spacious, wonderful lawn and down an avenue of royal palms, and across more wonderful lawn in the gracious shade of stately trees. The air was filled with the songs of birds and was heavy with rich warm fragrances—wafture from great lilies, and blazing blossoms of hibiscus, and other strange gorgeous tropic flowers. The dream was becoming almost impossibly beautiful to us who for so long had seen naught but the restless, salty sea. Charmian reached out her hand and clung to me—for support against the ineffable beauty of it, thought I. But no. As I supported her I braced my legs, while the flowers and lawns reeled and swung around me. It was like an earthquake, only it quickly passed without doing any harm. It was fairly difficult to catch the land playing these tricks. As long as I kept my mind on it, nothing happened. But as soon as my attention was distracted, away it went, the whole panorama, swinging and heaving and tilting at all sorts of angles. Once, however, I turned my head suddenly and caught that stately line of royal palms swinging in a great arc across the sky. But it stopped, just as soon as I caught it, and became a placid dream again.!

And away we went. The wind had increased, and with slacked sheets we ran off before it. The freeboard of the canoe was no more than two and a half inches, and the little waves continually lapped over the side. This required bailing. Now bailing is one of the principal functions of the vahine. Vahine is the Tahitian for woman, and Charmian being the only vahine aboard, the bailing fell appropriately to her. Tehei and I could not very well do it, the both of us being perched part way out on the outrigger and busied with keeping the canoe bottom-side down. So Charmian bailed, with a wooden scoop of primitive design, and so well did she do it that there were occasions when she could rest off almost half the time. I wanted that tooth. Also, Martin wanted a snap-shot of me getting it. Likewise Charmian got her camera. Then the procession started. We were stopping at what had been the club-house when Stevenson was in the Marquesas on the Casco. On the veranda, where he had passed so many pleasant hours, the light was not good—for snapshots, I mean. I led on into the garden, a chair in one hand, the other hand filled with forceps of various sorts, my knees knocking together disgracefully. The poor old Chinaman came second, and he was shaking, too. Charmian and Martin brought up the rear, armed with kodaks. We dived under the avocado trees, threaded our way through the cocoanut palms, and came on a spot that satisfied Martin’s photographic eye.

Some women passed through the yard with a basket of wet clothes. What name? is the great interrogation of bêche de mer. It all depends on how it is uttered. It may mean: What is your business? What do you mean by this outrageous conduct? What do you want? What is the thing you are after? You had best watch out; I demand an explanation; and a few hundred other things. Call a native out of his house in the middle of the night, and he is likely to demand, “What name you sing out along me?” “Forgive me,” she said, making an effort to extend her arm, “I believed it was you who killed him!”