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Panting, struggling, gasping, he fought on. His mind was filled with the horror of what would happen should he be too late. There was no way of telling how far Miguel had gone. The dam that kept him hidden from the Mexican, also hid the Mexican from him. He must—he must go on until he was well past the center of the dam—Miguel would do the job thoroughly if at all. Once there he must go through a fresh ordeal. He must climb out of the water and look over the edge of the dam in order to get his bearings and to find out where the Mexican had lit the fuse. Should he look over at the wrong spot and Miguel see him, it was the end—the end probably of his life and surely the finish of the coffer dam., Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart., “Hurt?” said the Indian..