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"I suppose so," she says, in a voice from which all joy has flown. "And it is only natural; you will be happier there." She is looking straight before her. There is no quiver in her tone; her lips do not tremble; yet he can see how pale she has grown beneath the vivid moonlight. "But why should night produce melancholy?" says Nicholas, dreamily. "It is but a reflection of the greater light, after all. What does Richter call it? 'The great shadow and profile of day.' It is our own morbid fancies that make us dread it." "You are," says Mona, eagerly. "Do you think," tears gathering in her eyes, "that I could be happy when those I love are reduced to despair?".
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"Then, thank you, Mrs. Corcoran, I will have a potato," says Rodney, gratefully, honest hunger and the knowledge that it will please Mona to be friendly with "her people," as she calls them, urging him on. "I'm as hungry as I can be," he says. The house, is home-like, sweet, and one which might perhaps day by day grow dearer to the heart; and this girl, this pretty creature who every now and then turns her eyes on Geoffrey, as though glad in a kindly fashion to see him there, seems a necessary part of the whole,—her gracious presence rendering it each moment sweeter and more desirable. "My precept to all who build is," says Cicero, "that the owner should be an ornament to the house, and not the house to the owner." "Yes; I stopped there for two or three days on my way down here. Well—and—your brother?" He cannot to himself explain the interest he feels in this story. Meantime Mona has gone quickly back to the Towers her mind disturbed and unsettled. Has she misjudged him? is it possible that his claim is a just one after all, and that she has been wrong in deeming him one who might defraud his neighbor?.
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