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"I mean Captain Acton's daughter." "Good morning, Mr Lawrence," said Mr Greyquill, making the gentleman a low bow. "I may take it that you're going to the ship[Pg 134] which I am pleased to hear Captain Acton has given you the command of." "You'd be taken all care of, ma'am.".

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Captain Acton received Mr Lawrence in his library, a small but very elegant room. It was lighted by wax candles on the table and wax candles on the chimney-piece. Its walls were covered with valuable books in finely carved cases. Captain Acton was reading when Mr Lawrence was announced. He immediately put down his book and rose. It would have been easy to see that he was struck by and pleased with the fine figure and handsome face of Mr Lawrence as he strode through the doorway, bowing with dignity and grace as he advanced. Of course the Captain was perfectly well acquainted with Mr Lawrence; he had been to his house to dinner on more than one occasion with Sir William; they had met at the Admiral's house and out-of-doors. She turned her eyes into that remote part of the sea on the quarter where the Louisa Ann[Pg 387] hung transformed by distance and sunshine into a star of day. So marvellous is the magic wrought by the wand of the deep in its passage over even such shapeless enormities as the Whitby brig. "That's the boys," Billy told himself. "I've gotta move fast." If he doubted her insanity at all his suspicion had no stiffer ground than the shallow sand on which reposed his hope[Pg 327] that she was acting. Throughout this passage he did not think to consider her as the child of a great actress. To him she had always been a gentle, sweet, undemonstrative girl, ingenuous in speech, kind, charitable, beloved by the poor, one whose pursuits were amiable and pure. She was nimble and poetical with her pencil. She sang pretty songs prettily. Her beauty informed with a colour of its own the melodies her fingers evoked from the keys or strings of the instruments she touched. He could not think of her as having the talents of an actress, or even the tastes of one. He had never heard of her taking a part in a performance above a charade. Nothing, therefore, but madness or an extraordinary dramatic genius which it was impossible for him to think of her as possessing, could create those parts which she had enacted before him in a manner so immoderately life-like, so absolutely in unison with what he himself could conceive of the behaviour of madness, that deep in his soul might be found the conviction that she had lost her reason, and that his passionate, unprincipled love was the cause of it..