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This is tough work, and takes her all her time, as Mrs. Carson, having made up her mind to the beads, accepts it rather badly being undeceived, and goes nearly so far as telling Mona that she knows little or nothing about her own people. Mona, turning, confronts the frightened group in the corner, both men and women, with a face changed and aged by grief and indignation. "My dear fellow, you have overworked your brain," he says, ironically: "You don't understand me. I am not tired of her. I shall never cease to bless the day I saw her,"—this with great earnestness,—"but you say I have married the handsomest woman in England, and she is not English at all.".

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The furniture is composed of oak of the hardest and most severe. To sit down would be a labor of anything but love. The chairs are strictly Gothic. The table is a marvel in itself for ugliness and in utility. A terrace runs all along one side of the house, which is exposed to view from the avenue. And here, with a gaunt but handsome greyhound beside her, stands a girl tall and slim, yet beautifully moulded. Her eyes are gray, yet might at certain moments be termed blue. Her mouth is large, but not unpleasing. Her hair is quite dark, and drawn back into a loose and artistic coil behind. She is clad in an impossible gown of sage green, that clings closely to her slight figure, nay, almost desperately, as though afraid to lose her. "You are wrong," says Mona, coldly. "They seldom trouble themselves to speak of you at all." This is crueller than she knows. "It was only a little touch of nature," explains her Grace. "On that congratulate yourself. Nature is at a discount these days. And I—I love nature. It is so rare, a veritable philosopher's stone. You only told me what my glass tells me daily,—that I am not so young as I once was,—that, in fact, when sitting next pretty children like you, I am quite old.".