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CHAPTER VIII Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart. “Yes, indeed; I thank you very much. And I want you to have a half moon today.”.

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My, oh, my! How exciting it was! If there had only been a chance to thank him for the fishing rod! Johnny Blossom had some thought of asking God to thank Uncle Isaac for him, but he put it hastily aside. No, he was sure that would not do. After he had been a courier for some time, and had saved a great deal of money, he returned to his father, and it is impossible to imagine the joy of his family at seeing him again. He made them all comfortable. He bought newly-made offices for his father and brothers, and by these means established them all, making his own way at Court at the same time. The obscurity of the place prevented Hippolitus from distinguishing the features of the dying man. From the blood which covered him, and from the surrounding circumstances, he appeared to be murdered; and the count had no doubt that the men he beheld were the murderers. The horror of the scene entirely overcame him; he stood rooted to the spot, and saw the assassins rifle the pockets of the dying person, who, in a voice scarcely articulate, but which despair seemed to aid, supplicated for mercy. The ruffians answered him only with execrations, and continued their plunder. His groans and his sufferings served only to aggravate their cruelty. They were proceeding to take from him a miniature picture, which was fastened round his neck, and had been hitherto concealed in his bosom; when by a sudden effort he half raised himself from the ground, and attempted to save it from their hands. The effort availed him nothing; a blow from one of the villains laid the unfortunate man on the floor without motion. The horrid barbarity of the act seized the mind of Hippolitus so entirely, that, forgetful of his own situation, he groaned aloud, and started with an instantaneous design of avenging the deed. The noise he made alarmed the banditti, who looking whence it came, discovered the count through the casement. They instantly quitted their prize, and rushed towards the door of the room. He was now returned to a sense of his danger, and endeavoured to escape to the exterior part of the ruin; but terror bewildered his senses, and he mistook his way. Instead of regaining the arch-way, he perplexed himself with fruitless wanderings, and at length found himself only more deeply involved in the secret recesses of the pile..