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"Well, 'All's well that ends well,'" says Captain Rodney, thoughtlessly. "If that delectable cousin of ours would only sink into the calm and silent grave now, we might even have the title back without fear of dispute, and find ourselves just where we began." It is Mona's laugh. Raising their eyes, both mother and son turn their heads hastily (and quite involuntarily) and gaze upon the scene beyond. They are so situated that they can see into the curtained chamber and mark the picture it contains. The duke is bending over Mona in a manner that might perhaps be termed by an outsider slightly empresse, and Mona is looking up at him, and both are laughing gayly,—Mona with all the freshness of unchecked youth, the duke with such a thorough and wholesome sense of enjoyment as he has not known for years. "Sure of course," says Mona. "Why, I used to ride the colts barebacked at home.".
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"Oh, dear, no," says Mona, with an emphatic shake of her lovely head. "She hadn't the least little bit of wit in her composition. She was as solemn as an Eng——I mean a Spaniard (they are all solemn, are they not?), and never made a joke in her life, but she was irresistibly comic all the same." Then suddenly, "What a very pretty little woman that is over there, and what a lovely dress!" "'What darling little hands you have!'" begins Nolly, quite innocently. The girl clasps her hands passionately, and turns her eyes on Rodney. "Do you know," says Mona, with a slight shiver, and a little nervous laugh, pressing closer to her side, "I have lost half my courage of late? I seem to be always anticipating evil.".
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