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Creeping through the grass behind this person, something was slowly drawing near to him. There was no noise, the watcher heard nothing; still he sat there, looking out over the prairie, and turning his head neither to the right nor the left. This thing behind him kept creeping closer, and presently it was so near it could touch the man. Perhaps then there was some little rustle of the grass, and the watcher turned his head. It was too late. A strong arm around his neck bent his head back, a hand covered his mouth, a long stone knife was thrust into his breast, and he died in silence. The fading light had kept people in the camp from seeing what had happened. After a time the water began to boil and the old man turned his quiver upside down over the pot, and immediately there came from it a sound of a child crying, as if it were being hurt. The old people both looked in the kettle and there they saw a little boy, and they quickly took him out of the water. They were surprised and did not know where the child had come from. The old woman wrapped the child up and wound a line about its wrappings to keep them in place, making a lashing for the child. Then they talked about it, wondering what should be done with it. They thought that if their son-in-law knew it was a boy he would kill it; so they determined to tell their daughters that the baby was a girl, for then their son-in-law would think that he was going to have another wife. So he would be glad. They called the child Kŭt-o-yĭs´—Clot of Blood. "Oh, no," says Mona, shocked at this interpretation of her manner. "I did not mean all that; only I really did not require it; at least"—truthfully—"not much. And, besides, a song is not like a gold chain; and you are quite different from them; and besides, again,"—growing slightly confused, yet with a last remnant of courage,—"there is no reason why you should give me anything. Shall I"—hurriedly—"sing something else for you?".
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Conrad
"I mean a real fairy," says Dorothy, shaking her head "If she were to come now this moment and say, 'Dorothy'——" "Go back the way ye came," says the man again, with growing excitement. "This is no place for ye. There is ill luck in yonder house. His soul won't rest in peace, sent out of him like that. If ye go in now, ye'll be sorry for it. 'Tis a thing ye'll be thinkin' an' dhramin' of till you'll be wishin' the life out of yer cursed body!" Geoffrey does not hear her. Paul does. And as his own name, coming from her lips, falls upon his ear, a great change passes over his face. It is ashy pale; his lips are bloodless; his eyes are full of rage and undying hatred: but at her voice it softens, and something that is quite indescribable, but is perhaps pain and grief and tenderness and despair combined, comes into it. Her lips—the purest and sweetest under heaven—have deigned to address him as one not altogether outside the pale of friendship,—of common fellowship. In her own divine charity and tenderness she can see good in others who are not (as he acknowledges to himself with terrible remorse) worthy to touch the very hem of her white skirts. So saying, he embraces her warmly, and, running downstairs, jumps into the dog-cart, and drives away behind the "vicious Black Bess.".
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