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Mrs. Bennett caught the despair in his words, and knew this could be no ordinary trouble to be petted away with a few caresses. Some crisis had come that must be wisely met. She entered, knelt by the bed, and put her arms around him. The spring starlight dimly outlined his head on the pillow but gave no hint of its bruises. “Billy, dear, nothing you can ever do will be bad enough to keep your mother away from you. What is it, my son?” Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them. “Yeh,” scoffed Moses, “this here turnin’ machines every Monday makes me sick. I aint got no liver left to be cheerful.”.
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kez_ h (Kez_h)
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Conrad
In a moment the obliging boy’s head was surmounted by an empty tomato can, and under the aegis of “Whacker Brand” he became attendant to the circus manageress. Thus helmeted he stood and gazed at Betty as though the hinges of his jaw were loosening. In overalls, the color of which was entirely unrecognizable, Moses began to help his father carry through the house sooty lengths of pipe. Very carefully and gingerly they stepped as the eagle eye of Mrs. Wopp was upon them, and they knew that a full battery of reprimands and warnings was at hand. BILLY did not lift his face from the pillow; he was striving to steady throat and voice. Without further urging the child began to pick out with one finger a complicated melody which Mrs. Wopp assured the audience was “Dare to be a Daniel.”.
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