Fleda found Mrs. Gereth in modest apartments and with an air of fatigue in her distinguished face—a sign, as she privately remarked, of the strain of that effort to be discreet of which she herself had been having the benefit. It was a constant feature of their relation that this lady could make Fleda blench a little, and that the effect proceeded from the intense pressure of her confidence. If the confidence had been heavy even when the girl, in the early flush of devotion, had been able to feel herself most responsive, it drew her heart into her mouth now that she had reserves and conditions, now that she couldn't simplify with the same bold hand as her protectress. In the very brightening of the tired look, and at the moment of their embrace, Fleda felt on her shoulders the return of the load, so that her spirit frankly quailed as she asked herself what she had brought up from her trusted seclusion to support it. Mrs. Gereth's free manner always made a joke of weakness, and there was in such a welcome a richness, a kind of familiar nobleness, that suggested shame to a harried conscience. Something had happened, she could see, and she could also see, in the bravery that seemed to announce it had changed everything, a formidable assumption that what had happened was what a healthy young woman must like. The absence of luggage had made this young woman feel meagre even before her companion, taking in the bareness at a second glance, exclaimed upon it and roundly rebuked her. Of course she had expected her to stay. "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days.!

"Has let herself go." Mrs. Gereth spoke as if she saw it in every detail. Her hostess was looking at her hard again. "Didn't he tell you—didn't he say anything about it?"

Fleda decided. "Drive to Euston, please." Fleda appeared to consider: she appreciated her visitor's magnanimous use of the plural. "Mona won't die," she replied. "Has let herself go?"