Just at this moment Mona comes up to them, smiling and happy.,
Perhaps Longfellow has more cleverly—and certainly more tenderly—than any other poet described the earlier approaches of the god of Love, when he says,—,
In vain Red Robe tried to persuade the girl to do as he wished. She was kind; she threw her arms about him and kissed him and cried, but she would not run away to leave her mother to sorrow, to be beaten by her father, who would blame the poor woman for all the disgrace; and so, too soon, they parted, for they heard her companion coming—the sound of her heavy footsteps.,
"Well; there isn't much, is there?" says Mona, pleasantly.
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At last, one day, Old Man decided that he would make a woman and a child, and he modelled some clay in human shape, and after he had made these shapes and put them on the ground, he said to the clay, "You shall be people." He spread his robe over the clay figures and went away. The next morning he went back to the place and lifted up the robe, and saw that the clay shapes had changed a little. When he looked at them the next morning, they had changed still more; and when on the fourth day he went to the place and took off the covering, he said to the images, "Stand up and walk," and they did so. They walked down to the river with him who had made them, and he told them his name.,
"Bah!" he says, impatiently, rising from the ground and turning away. Her answer has frozen him again, has dried up the momentary desire for her approbation above all others that only a minute ago had agitated his breast.,
It was all terrible,—this young man coming and the thought that, no matter how they might try to disbelieve in his story, still it might be true.,
But, though "lost to sight," to memory he is most unpleasantly "dear." Standing alone in the middle of the deserted field, Mona pulls to pieces, in a jerky, fretful fashion, a blade of grass she has been idly holding during the late warm discussion. She is honestly very much frightened at what she has done, but obstinately declines to acknowledge it even to her own heart. In a foolish but natural manner she tries to deceive herself into the belief that what has happened has been much to her own advantage, and it will be a strict wisdom to rejoice over it.
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Developer Response,
"And you really mustn't think us such very big people," says Geoffrey, in a deprecating tone, "because we are any thing but that, and, in fact,"—with a sharp contraction of his brow that betokens inward grief,—"there is rather a cloud over us just now."
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16eaz-Wong,
It’s a Quan-Yuan
As Cold Maker was bringing the snow to the Blackfeet winter camp, he passed the Sand Hills. Lone Feather and other ghosts from the Blackfeet tribe were telling each other how the old woman had sent them there. Cold Maker heard their stories and he was angry.
txort-Xu,
Bingbing-Li
Her eyes are large and blue, with a shade of green in them; her lips are soft and mobile; her whole expression is debonnaire, yet full of tenderness. She is brightness itself; each inward thought, be it of grief or gladness, makes itself outwardly known in the constant changes of her face. Her hair is cut above her forehead, and is quite golden, yet perhaps it is a degree darker than the ordinary hair we hear described as yellow. To me, to think of Dorothy Darling's head is always to remind myself of that line in Milton's "Comus," where he speaks of
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Halin-Chen Response,
>"Why, what is this?" she says, a moment later; "and what a curious hand! Not a gentleman's surely."
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