“But you’ll get out of that,” suggested Joan. “You’ve got the actress face.” “Who is the true soldier? He who has put away self. His own ease and comfort, even his own needs, his own safety: they are but as a feather in the balance when weighed against his love for his comrades, for his country. The true soldier is not afraid to love. He gives his life for his friend. Do you jeer at him? Do you say he is a fool for his pains? No, it is his honour, his glory.”!

“I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.” It was the task that had been entrusted to her. How could he hope to succeed without her. With her, he would be all powerful—accomplish the end for which he had been sent into the world. Society counts for so much in England. What public man had ever won through without its assistance. As Greyson had said: it is the dinner-table that rules. She could win it over to his side. That mission to Paris that she had undertaken for Mrs. Denton, that had brought her into contact with diplomatists, politicians, the leaders and the rulers, the bearers of names known and honoured in history. They had accepted her as one of themselves. She had influenced them, swayed them. That afternoon at Folk’s studio, where all eyes had followed her, where famous men and women had waited to attract her notice, had hung upon her words. Even at school, at college, she had always commanded willing homage. As Greyson had once told her, it was herself—her personality that was her greatest asset. Was it to be utterly wasted? There were hundreds of impersonal, sexless women, equipped for nothing else, with pens as keen if not keener than hers. That was not the talent with which she had been entrusted—for which she would have to account. It was her beauty, her power to charm, to draw after her—to compel by the mere exercise of her will. Hitherto Beauty had been content to barter itself for mere coin of the realm—for ease and luxury and pleasure. She only asked to be allowed to spend it in service. As his wife, she could use it to fine ends. By herself she was helpless. One must take the world as one finds it. It gives the unmated woman no opportunity to employ the special gifts with which God has endowed her—except for evil. As the wife of a rising statesman, she could be a force for progress. She could become another Madame Roland; gather round her all that was best of English social life; give back to it its lost position in the vanguard of thought.

Instinctively she held out her hand and he grasped it. “Anything that can be done with a pen and ink,” she told him. “Did no other voice speak to you?” asked Joan.