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To this it is difficult to make a telling reply. Mona says nothing she only turns her head completely away from him, as if to conceal something. Is it a smile?—he cannot tell. And indeed presently, as though to dispel all such idea, she sighs softly but audibly. "You are hurt!" interrupts he, with passionate remorse. "I see it all now. Stepping into that hateful stream to save me, you injured yourself severely. You are in pain,—you suffer; whilst I——" One night he came to the home of a wolf. "Hah!" said the wolf; "what are you doing so far from your home?".

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There is a sparkle in Mona's eyes, a slight severing of her lips, that bespeak satisfaction and betray her full of very innocent appreciation of her own beauty. She stands well back, with her head held proudly up, and with her hands lightly clasped before her. Her attitude is full of unstudied grace. "I pity your wife," says Mona, almost severely. She has crossed the rustic bridge that leads into the Moore plantations, in hot pursuit of a young turkey that is evidently filled with a base determination to spend his Sunday out. Of Violet Mansergh—who is still at the Towers, her father being abroad and Lady Rodney very desirous of having her with her—she knows little. Violet is cold, but quite civil, as Englishwomen will be until they know you. She is, besides, somewhat prejudiced against Mona, because—being honest herself—she has believed all the false tales told her of the Irish girl. These silly tales, in spite of her belief in her own independence of thought, weigh upon her; and so she draws back from Mona, and speaks little to her, and then of only ordinary topics, while the poor child is pining for some woman to whom she can open her mind and whom she may count as an honest friend "For talking with a friend," says Addison, "is nothing else but thinking aloud.".