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"Of course you must come here," says Lady Rodney, who is afraid of the county and what it will say if it discovers she is at loggerheads with her son and his bride. But there is no welcome in her tone. And Geoffrey, greatly discouraged, yet determined to part friends with her for Mona's sake,—and trusting to the latter's sweetness to make all things straight in the future,—after a few more desultory remarks takes his departure, with the understanding on both sides that he and his wife are to come to the Towers on the Friday following to take up their quarters there until Leighton Hall is ready to receive them. Mona hardly hears him. She is thinking of Nicholas's face as it was half an hour ago when he had leaned against the deserted doorway and looked at pretty Dorothy. Standing with his back to her (being unaware of her entrance), looking at the wall with the smaller panels that had so attracted him the night of the dance, is Paul Rodney!.
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Then she is pleased, and slips her hand into his, and goes along the quiet road, beside him with a heart in which high jubilee holds sway. "Miss Scully, is it you?" he says, at length; "and here at this hour?" Then Mona rises, and they both come to the entrance of the small room, and stand where Lady Rodney can overhear what they are saying. "Mona, do be friends with me," he says at last, desperately, driven to simplicity of language through his very misery. There is a humility in this speech that pleases her..
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