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"You are a sailor, sir, and so am I, and 'tis natural that we should both light upon the same scheme. But there is not the slightest occasion for you to sacrifice a farthing of your property, nor to post to London to-morrow to find a ship, some little schooner or other swift enough to enable you to be at Rio when the Minorca arrives. Such a ship," he said, his face brightening a little[Pg 220] with an expression of triumph, "I possess in the Aurora. She has discharged her lading. She can be ballasted at once, and if a crew can be assembled by this time to-morrow evening, I may be far down Channel in such pursuit as must make the barque's chances of escape hopeless, unless indeed she eludes me in the night, or in thick weather, in which case I shall thrash on and be at Rio a week before she enters the Harbour." "Only the other day," replied Lucy, "I told Mr Eagle, the mate of the vessel, that I could not imagine a pleasanter trip than a voyage to the West Indies in the Minorca, but I stipulated that the sea should be always smooth." Lucy walked on to High Street, into which she turned, and from nearly every person that she passed, she received a respectful salute or a ducking curtsy; and for all she had a kindly word and a smile as lovely as a fine May day, and sometimes she would stop and speak to a child, on which occasions she generally took a penny from her pocket..

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"Hello, you!" he shouted. "You'll have to back up an' take the run to your left." "What do you see? The French Flotilla?" cried Miss Acton in a voice tremulous with agitation. She darted her eyes through her glasses over the sea. When they were within ten minutes' walk of Old Harbour House, they met Mr Adams, who was an agent for a gentleman who lived in London, and who owned a great deal of property in the neighbourhood of Old Harbour Town. This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation..