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IT was a gray, cold day, unusual for May, the kind of day that accords with ill-nature. It reminded Billy of the incident of the opera when Rain and Storm, driven by his own insistence, had blown in on the stage quite out of season, and dragged off with them the remnants of winter. For the first Sunday since May Nell’s coming he took his wheel after dinner and went off alone. He was in accord with the sullen sky and air. In the morning he had answered his mother angrily; because Bouncer wished to play instead of coming through the gate when called, Billy had slammed it on his tail, knowing well that in a happier mood he would have been more careful.,
Now the dance was a two-step and Mrs. Wopp, who drew a hard and fast line at round dances, declaring they were instigated by the evil one, sat and looked on talking to Betty meanwhile.,
Nell looked toward the morning-glory garden and there she saw Betty kneeling in the moonlight. Jethro was sitting up on his hind legs beside the little figure, holding his paws before him. The moonlight fell on his penitential white body, on the stiff braids of the sorrowful and contrite Betty, and lighted up the bright yellow nasturtiums that filled the air with their pungent odor. The morning-glory leaves gleamed in the pure white light.,
Upstairs the lightning filled Betty’s room with a weird intermittent radiance. The child had become increasingly drowsy and asked Howard to sing her to sleep.
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All went well with the preparation; and on a glorious spring night in the full moon, the town and countryside jammed the Opera House “to its eyebrows,” Billy said, looking through the peephole in the curtain to the high window seats crowded with boys.,
Let us find our sweetest comfort,
In the front seat of the Wallace school sat Mannel Rodd. Nell Gordon declared that he was the roundest object she had ever seen in human form. Though he had arrived at the mature age of five, he still retained that cherubic appearance which one sees in the paintings of old masters. His eyes were as round as the rather sparsely-located buttons on his shirt. His nose was a small round knob. When he opened his little round mouth to lubricate a squeaky slate pencil or perhaps to enunciate some such interesting statement as this, “The cat is on the mat,” he disclosed a row of pearly little teeth. Indeed his whole face would have been as round as the moon, were it not that his chin took an unexpected little saucer-like curve in the very middle of it.,
This threatened catastrophe had considerable weight with St. Elmo who, in spite of Betty’s discouraging words, still had a lurking hope that he too might be privileged to see the “faywies” some day. Although he was badly handicapped in being a boy, yet in some miraculous manner there might be an exception made in his favor.
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Betty was thoroughly engrossed in her subject. Her story was entirely of birds and flowers and fairies. True, the pictures did not realize in their movements the lightning-like rapidity of “really truly” moving pictures, but they moved as fast as the young eyes that followed them could wish.
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“Can I hev a piece of jelly-roll, Mar?” coaxed Betty, stemming the tide of her brother’s complaints.
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“Salute your partner, swing—your partner.” Mrs. Wopp who had expected “Swing on the corner,” had seized the unfortunate Mr. Wopp and in spite of his struggles was spinning him violently around, while their respective partners stood and looked helplessly on.
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Halin-Chen Response,
>“Geegustibus! You kids are doin’ a fine job,” Billy encouraged, as he walked by the line of little bending, sweating backs. “There never was a railroad built on the square like this. Contractors on time; men a-workin’ that’s got brains an’ ain’t afraid to use ’em. Jiminy crickets, it’s fine!”
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