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Jen started, and looked sharply at the old man, who, to all appearances, was answering his questions with all possible candor. The major hurried off, leaving Isabella alone in the summer-house. He walked on slowly, notwithstanding that it was past the hour he had appointed to meet Arkel and Etwald. His thoughts were busy with what Isabella had said concerning David's knowledge of the trick. "It's all ship-shape now," whispered Patricia as they scrambled down from the stools whereon they had perched to accomplish their purpose. "Aren't we in luck? Not a soul even saw us come in.".
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Here Jen looked suddenly at Etwald, and recalled the dinner at which the doctor had read the dead man's hand. Then he had prophesied ill of Maurice--an ill which it would seem had been fulfilled. Now, with equal curtness, he was prognosticating evil for Isabella. Vexed at such croakings, Jen spoke abruptly: "You all know," Bruce went on, "that I have been trying an experiment of my favorite theory of art education, but very few of you know how it has progressed. And it is to show you the result that I have lured you here today—to crow over some of you, in fact. The canvas I am going to show you was designed, executed as far as it has gone, entirely by Miss Elinor Kendall, a student of hardly more than nine months' study. The subject is the 'Nativity' and it is designed for a chancel in a small church." "The iceberg, Billy, every time," I said at last. I just can't manage whales, especially if they are ardent, which word means intense. I like icebergs, or I think I should if I could catch one." "My dear young lady," he remonstrated, "why distress yourself with recollections of these things?".
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