"She would if Owen had described your outbreak to Mona." He too hesitated, but he was not checked. "It's just for the reason that I'm free. Don't you know what I mean, Miss Vetch? I want you to marry me."!

A week later Owen Gereth came down to inform his mother that he had settled with Mona Brigstock; but it was not at all a joy to Fleda, conscious how much to himself it would be a surprise, that he should find her still in the house. That dreadful scene before breakfast had made her position false and odious; it had been followed, after they were left alone, by a scene of her own making with her extravagant friend. She notified Mrs. Gereth of her instant departure: she couldn't possibly remain after being offered to Owen, that way, before her very face, as his mother's candidate for the honor of his hand. That was all he could have seen in such an outbreak and in the indecency of her standing there to enjoy it. Fleda had on the prior occasion dashed out of the room by the shortest course and in her confusion had fallen upon Mona in the garden. She had taken an aimless turn with her, and they had had some talk, rendered at first difficult and almost disagreeable by Mona's apparent suspicion that she had been sent out to spy, as Mrs. Gereth had tried to spy, into her opinions. Fleda was sagacious enough to treat these opinions as a mystery almost awful; which had an effect so much more than reassuring that at the end of five minutes the young lady from Waterbath suddenly and perversely said: "Why has she never had a winter garden thrown out? If ever I have a place of my own I mean to have one." Fleda, dismayed, could see the thing—something glazed and piped, on iron pillars, with untidy plants and cane sofas; a shiny excrescence on the noble face of Poynton. She remembered at Waterbath a conservatory where she had caught a bad cold in the company of a stuffed cockatoo fastened to a tropical bough and a waterless fountain composed of shells stuck into some hardened paste. She asked Mona if her idea would be to make something like this conservatory; to which Mona replied: "Oh no, much finer; we haven't got a winter garden at Waterbath." Fleda wondered if she meant to convey that it was the only grandeur they lacked, and in a moment Mona went on: "But we have got a billiard-room—that I will say for us!" There was no billiard-room at Poynton, but there would evidently be one, and it would have, hung on its walls, framed at the "Stores," caricature-portraits of celebrities, taken from a "society-paper." Fleda stared. "Then she's not to live there?"

"What bearing have her feelings, pray?" Fleda asked. "The deuce knows what has become of it, Miss Vetch!" Owen cried. "It seemed all to go to pot as this horrid struggle came on." He was close to her now, and, with his face lighted again by the relief of it, he looked all his helpless history into her eyes. "As I saw you and noticed you more, as I knew you better and better, I felt less and less—I couldn't help it—about anything or any one else. I wished I had known you sooner—I knew I should have liked you better than any one in the world. But it wasn't you who made the difference," he eagerly continued, "and I was awfully determined to stick to Mona to the death. It was she herself who made it, upon my soul, by the state she got into, the way she sulked, the way she took things, and the way she let me have it! She destroyed our prospects and our happiness, upon my honor. She made just the same smash of them as if she had kicked over that tea-table. She wanted to know all the while what was passing between us, between you and me; and she wouldn't take my solemn assurance that nothing was passing but what might have directly passed between me and old Mummy. She said a pretty girl like you was a nice old Mummy for me, and, if you'll believe it, she never called you anything else but that. I'll be hanged if I haven't been good, haven't I? I haven't breathed a breath of any sort to you, have I? You'd have been down on me hard if I had, wouldn't you? You're down on me pretty hard as it is, I think, aren't you? But I don't care what you say now, or what Mona says, either, or a single rap what any one says: she has given me at last, by her confounded behavior, a right to speak out, to utter the way I feel about it. The way I feel about it, don't you know, is that it had all better come to an end. You ask me if I don't love her, and I suppose it's natural enough you should. But you ask it at the very moment I'm half mad to say to you that there's only one person on the whole earth I really love, and that that person—" Here Owen pulled up short, and Fleda wondered if it was from the effect of his perceiving, through the closed door, the sound of steps and voices on the landing of the stairs. She had caught this sound herself with surprise and a vague uneasiness: it was not an hour at which her father ever came in, and there was no present reason why she should have a visitor. She had a fear, which after a few seconds deepened: a visitor was at hand; the visitor would be simply Mrs. Gereth. That lady wished for a near view of the consequence of her note to Owen. Fleda straightened herself with the instant thought that if this was what Mrs. Gereth desired Mrs. Gereth should have it in a form not to be mistaken. Owen's pause was the matter of a moment, but during that moment our young couple stood with their eyes holding each other's eyes and their ears catching the suggestion, still through the door, of a murmured conference in the hall. Fleda had begun to make the movement to cut it short when Owen stopped her with a grasp of her arm. "You're surely able to guess," he said, with his voice dropped and her arm pressed as she had never known such a drop or such a pressure—"you're surely able to guess the one person on earth I love?" "I suppose you'd go back to London."