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"The spell seems to know more about me than I do myself," said she, contemptuously. "I don't believe in your spells, Dido. I know from Maurice that they are nonsense!" "That being the property of Mrs. Dallas, she had lost it there," interrupted Jen, smartly. "No. I told you also that Isabella had confessed to having dropped it at the time of her midnight visit. But now I know that she told me a lie!" "To see me!" said Maurice, looking at his rival. "Then why did you not go to 'Ashantee?'".
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Conrad
"I don't understand myself," said the young man, despondently, "save that I am the most miserable man alive." "I don't go so far as that," protested Jen. "If we found the person who stole the devil-stick from my smoking-room I might guess the truth." So far the reader may wonder at the constituent elements of this story. African witchcraft, mysterious strangers, and barbaric women seem to be out of place when set in the sober framework of an English provincial town. But romance is not dependent upon landscape or on surroundings for its occurrence: it is to be found everywhere, and very often in the most unlikely places. Here, for instance, by some trick of Fate, certain people had come together, certain passions had been aroused, and now that the drama had been set in motion, it seemed likely that it would play itself out to a tragical conclusion. Tragical, certainly; for herein the elements of comedy seem to be wanting. But then Fate is so pessimistic. Patricia watched her disappear behind the big screen of the composition room, and then she turned excitedly to Elinor..
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