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The dance was held in a new barn of which the floor was especially good. Indeed the young people of the family had seen to that. Unfortunately the stable end of the building was already in use and this proved to be somewhat inconvenient. During the festivities of the evening one delicate lady fainted from excitement and overpowering stable odors. She speedily revived, however, on being carried into the fresh air and soused with a bucket of cold water. The building was illuminated with lanterns and an occasional oil lamp. Benches were ranged along the walls. The crowd was large and as usual at these affairs men predominated in numbers. The dances were mostly square ones and when a husky caller-off became hoarse and exhausted with shouting, another took his place. He usually stood at one end of the building beside the fiddler. The pianist sat easily at the piano and began the Moskowski selection that had failed to create the expected furore in the afternoon. A cadenza that shivered down the spine like spray from a glacial torrent wakened the room. Then he plunged into the first theme. His small audience listened spell-bound. Betty’s eyes followed the fingers that leaped over the ivory keys like white flame. A subtle current began to play in the room. Steadily it grew in power. Magnetism to the nth degree was being generated. A tremendous chord brought the music to a close and the pianist to his feet. Something in Nell’s glance inspired him. He whirled about the room whistling and imitating some of the cadenzas and other passages from the selection just played. He gesticulated wildly with his hands, the passion for dramatic music oozing from his pores. “My conscience! You can’t eat all—” May Nell stopped, conscious of an unkindness. But the boy only laughed; he was used to comments on his appetite..
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Conrad
He did laugh, yet was sober again. She was tucking the clothes close about him, preparing to lie down by his side. But he reached his arms out suddenly and flung them around her neck. “O mamma, the awfullest thing in the world next to doing a crime, must be not to have a mother. I must jolly May Nell more. And, mamma—mother, I don’t know why,—” his voice was very low and shy, “why God’s looked out for me so good; but anyway, you’re—you’re the whole bunch!” “Let me go, please!” he pleaded. “There’s a little girl, our refugee, over there, fainted, I think, perhaps—dead.” CHAPTER VII.—THE LITTLE CHURCH IN THE COULEE. “All right, Doc,” the other replied a bit gruffly; “suppose we catch ’em before we fight about the divvy.”.
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