Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air.,
Mona, horror-stricken, goes quickly over to her, and touches her lightly on the shoulder.,
"I was not listening at the door," says Mona, with dignity, yet with extreme difficulty: some hand seems clutching at her heart-strings, and he who should have been near to succor her is far away. "I never," haughtily, "listened at a door in all my life. I should not understand how to do it." Her Irish blood is up, and there is a distinct emphasis upon the pronoun. "You have wronged me twice!".
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