Fleda immediately guessed from his tone that he had not come in to say what she supposed; there was even something in it to confirm Mrs. Gereth's belief that their danger had dropped. She was sure, moreover, that his tribute to Mona's taste was a repetition of the eloquent words in which the girl had herself recorded it; she could indeed hear, with all vividness, the pretty passage between the pair. "Don't you think it's rather jolly, the old shop?" "Oh, it's all right!" Mona had graciously remarked; and then they had probably, with a slap on a back, run another race up or down a green bank. Fleda knew Mrs. Gereth had not yet uttered a word to her son that would have shown him how much she feared; but it was impossible to feel her friend's arm round her and not become aware that this friend was now throbbing with a strange intention. Owen's reply had scarcely been of a nature to usher in a discussion of Mona's sensibilities; but Mrs. Gereth went on, in a moment, with an innocence of which Fleda could measure the cold hypocrisy: "Has she any sort of feeling for nice old things?" The question was as fresh as the morning light. The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture!!

The other visitor meanwhile turned to Fleda. "What is Mrs. Gereth going to do?" "Why so? It will be always so much done," said Fleda. "Though I'm poor," she added with a smile, "I don't mind the shilling."

Fleda shook her head sadly; she was more startled than she cared to show. This odd journey of Mrs. Brigstock's, which, with a simplicity equal for once to Owen's, she had not divined, now struck her as having produced the hush of the last ten days. "There are things she doesn't know!" she presently exclaimed. Fleda winced. "I've told you what I believe about that. She'll make scenes and conditions; she'll worry him. But she'll hold him fast; she'll never give him up." The girl had a promise that the wonderful house should be shown her early in July, when Mrs. Gereth would return to it as to her home; but even before this initiation she put her finger on the spot that in the poor lady's troubled soul ached hardest. This was the misery that haunted her, the dread of the inevitable surrender. What Fleda had to sit up to was the confirmed appearance that Owen Gereth would marry Mona Brigstock, marry her in his mother's teeth, and that such an act would have incalculable bearings. They were present to Mrs. Gereth, her companion could see, with a vividness that at moments almost ceased to be that of sanity. She would have to give up Poynton, and give it up to a product of Waterbath—that was the wrong that rankled, the humiliation at which Fleda would be able adequately to shudder only when she should know the place. She did know Waterbath, and she despised it—she had that qualification for sympathy. Her sympathy was intelligent, for she read deep into the matter; she stared, aghast, as it came home to her for the first time, at the cruel English custom of the expropriation of the lonely mother. Mr. Gereth had apparently been a very amiable man, but Mr. Gereth had left things in a way that made the girl marvel. The house and its contents had been treated as a single splendid object; everything was to go straight to his son, and his widow was to have a maintenance and a cottage in another county. No account whatever had been taken of her relation to her treasures, of the passion with which she had waited for them, worked for them, picked them over, made them worthy of each other and the house, watched them, loved them, lived with them. He appeared to have assumed that she would settle questions with her son, that he could depend upon Owen's affection. And in truth, as poor Mrs. Gereth inquired, how could he possibly have had a prevision—he who turned his eyes instinctively from everything repulsive—of anything so abnormal as a Waterbath Brigstock? He had been in ugly houses enough, but had escaped that particular nightmare. Nothing so perverse could have been expected to happen as that the heir to the loveliest thing in England should be inspired to hand it over to a girl so exceptionally tainted. Mrs. Gereth spoke of poor Mona's taint as if to mention it were almost a violation of decency, and a person who had listened without enlightenment would have wondered of what fault the girl had been or had indeed not been guilty. But Owen had from a boy never cared, had never had the least pride or pleasure in his home.