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"Yes,—and miserable! you forget to add that. Now everything seems squared. In the grave neither grief nor revenge can find a place. And as for you, what have you to do with my fate?—nothing. What should you not return to me my own? and why should I not die by the weapon I had dared to level against yourself? There is a justice in it that smacks of Sadlers' Wells." He handles the gun again menacingly. Mona, though still apparently calm, whitens perceptibly beneath the cold penetrating rays of the "pale-faced moon" that up above in "heaven's ebon vault, studded with stars unutterably bright," looks down upon her perhaps with love and pity. "Where is Mona?".
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Conrad
Geoffrey, moving to one side, stands where he can no longer be seen, feeling instinctively that the ebbing life before him finds its sole consolation in the thought of Mona. She is all he desires. From her he gains courage to face the coming awful moment, when he shall have to clasp the hand of Death and go forth with him to meet the great unknown. "Wait here," says Geoffrey to his squire, and, going forward, rests the bag upon a low wall, and waits until the girl in question shall turn her head. When she does move he is still silent, for, behold, she has turned his head! She hastens her steps, and runs down hurriedly into the hall below, which is almost as light as day. Turning aside, she makes for the library, and now (and not till now) remembers she has no light, and that the library, its shutters carefully closed every night by the invaluable Jenkins himself, is of necessity in perfect darkness. "Why, yes, of course he can," says Mona, without the smallest hesitation. She says it quite naturally, and as though it was the most usual thing in the world for a young man to see a young woman home, through dewy fields and beneath "mellow moons," at half-past ten at night. It is now fully nine, and she cannot yet bear to turn her back upon the enchanting scene before her. Surely in another hour or so it will be time enough to think of home and all other such prosaic facts..
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